WINK KEZIAH & DELUX MOTEL / LIVE at SMITH'S OLDE BAR / ATLANTA, GA
Where's the best place to be in Atlanta on Sunday July 13th? At Smith's Olde Bar kickin' up dust at the Wink Keziah & Delux Motel Show! Riding high on the success of their 2008 release "Working Songs For The Drinking Class" on Great South Records, the Charlotte, NC based band brings their hard drivin' honky tonk show to Atlanta, GA for what promises to be one fine night of music at one of the areas best venues.
SMITH'S OLDE BAR
1578 Piedmont Ave
Atlanta, GA 30324
404-875-1522
Smith's Olde Bar / Atlanta, GA
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HERE'S WHAT FOLKS ARE SAYING...
"Honky-tonk perfectionist Wink Keziah offers pure genius on his new CD, Working Songs For The Drinking Class..."
Philadelphia Inquirer
"On his latest release, North Carolina's Wink Keziah, with support from his band Delux Motel, proves not only that he has mastered a variety of musical styles, but also that he understands everyday life in rural America."
No Depression Magazine
"Ten songs’ worth of honky tonkin’ that Waylon, Willie and Tompall would give their outlaw country stamps of approval to, Working Songs for the Drinking Class is the purest example of truth-in-titling you’re likely to encounter all year."
Stomp & Stammer Magazine
"Working Songs for the Drinking Class is a masterful piece of mannerist honky-tonk, complete with slightly off-kilter mini-explosions of ‘70s riffage that frame Keziah's songs perfectly."
The Knoxville Voice
Philadelphia Inquirer
"On his latest release, North Carolina's Wink Keziah, with support from his band Delux Motel, proves not only that he has mastered a variety of musical styles, but also that he understands everyday life in rural America."
No Depression Magazine
"Ten songs’ worth of honky tonkin’ that Waylon, Willie and Tompall would give their outlaw country stamps of approval to, Working Songs for the Drinking Class is the purest example of truth-in-titling you’re likely to encounter all year."
Stomp & Stammer Magazine
"Working Songs for the Drinking Class is a masterful piece of mannerist honky-tonk, complete with slightly off-kilter mini-explosions of ‘70s riffage that frame Keziah's songs perfectly."
The Knoxville Voice
